Backyards @ Mayspace Sydney, until 7 October 2017

Curated by Waratah Lahy & Anne-Marie Jean

Anne-Marie Jean, Waratah Lahy, Leo Robba, Erica Seccombe, Lia Tajcnar, Jennifer Taylor, Ruth Waller. 

The idea of a big backyard has long been considered an essential element of Australian iconic culture, synonymous with the fading aspirational ideal of a quarter acre block and a modest home. Our backyards are important spaces: mostly private, they can be practical, useful and fanciful, providing a space for imagination, creativity, toys, pets, projects and failed ambitions. ...


Exhibition Review: Art Guide, Jane O'Sullivan

Erica Seccombe takes up the issue of reproducibility. in her large anaglyphic print of a toy octopus, Ocularanagluphos, from 2012. This little toy, writ large, asks us to consider how we visualise and engage with our natural world. It looks sharply sci-fi until you put on the flimsy 3D glasses. The blue and red cello lenses smudge the detail, and give little in the way of extra dimension. But what they do instead is peel the blurry sea monster off the wall, hovering it in space and untethering it from any reality....

The Lady Botanist, Imprint Magazine

Patsy Payne reflects on the work of Erica Seccombe, whose exhibition of screenprints and etchings, The Lady Botanist, was recently shown at Megalo Print Studio & Gallery in Canberra.

Erica Seccombe is a storyteller. She unveils mysteries and shows us intriguing forms revealed beneath the skin of things, dragged from the recesses of our memory, perhaps imagined on a dark night. Monsters, hybrids and beasts emerge from the scientific laboratories and virtual spaces in which Seccombe works. She has embarked on a particular project at the Natural History Museum in London. Here she has created new stories to make sense about the history of collecting, microscopy and the scientific pursuit of truth....

 Erica Seccombe, A path divided, 2017, Screen print on paper

Erica Seccombe, A path divided, 2017, Screen print on paper